On Nov. 26, 1956, Fidel Castro sails to Cuba with 80 rebels. One of those rebels is Ernesto "Che" Guevara, a young Argentine idealist and doctor who shares a common goal with Fidel Castro--to overthrow the corrupt dictatorship of Fulgencio Batista. Che proves himself an indispensable fighter, and quickly grasps the art of guerrilla warfare. As he throws himself into the struggle, Che is embraced by his comrades and the Cuban people. "The Argentine" tracks Che's rise in the Cuban Revolution, from doctor to commander to revolutionary hero.
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Director Steven Soderbergh's two-part, four-hour "Che" is part folly and part fulfillment, a methodical if coolly romantic portrait of the most familiar 1960s T-shirt icon outside the peace symbol. Some would argue way, way outside the peace symbol. Whatever your political sympathies, Soderbergh's project is likely to exasperate, less for what's there than for what it excludes. It's a triptych with the middle panel missing. Why ignore such a provocative part of any subject's life, the one in which idealistic political theory is tested by controversial, bloody practice? (Full review)